Come On, Cousin (老表,你好hea!) , a TVB comedy
drama, was broadcasted in 20 October 2014. It is about the conflict between the environmentalist
Lam Choi Yeh (played by Kwok Chun On) and the second generation of the rich Yau
Tin (played by Wong Cho Lam).
Mass media plays an important
role in stereotyping, especially TV drama which are still influential in our
daily life. Dyer (2000) noted that 'Stereotype is taken to express a general
agreement about a social group'. In this drama, there are a lot of stereotypes
of different social groups in Hong Kong thought the dramatic and exaggerate portraits
of characters.
Lam Choi Yeh is the significant
example of stereotyping. People can associate Lam as the Hong Kong famous
political activist Leung Kwok Hung by his appearance and hair style. Lam is
ardent environmentalist who always takes the streets to protest against merchants.
His personality is impetuous without consider other people’s situation and cranky
since he has many romantic ideas. The official website introduces Lam that his protest
is only the idle talk. Obviously, the local activists in Hong Kong are
stereotyped as Lam’s character who are passionate toward social affairs but also
are the group of impulsive troublemakers. On the other hand, Yau Tin is the
lazy son of the tycoon Yau Cheung. He is selfish, greedy and treacherous who loves
money very much and tries to exploit his employees in his supermarket. Yau Tin
reflects the stereotype of merchants in Hong Kong who squeeze the labour and
lower class heartlessly.
It can be seen that that the stereotypes
from Come On, Cousin are mainly constructed
by the membership categorization that producer selected the specific category-bound
activities to identify a social group, since we can easily find the news of
radical behaviors by social activists and the criticisms on unscrupulous employers
in Hong Kong newspapers. However, are these images really representing the
truth that all social activists are unreasonable and all merchants are 'vampires
employers'? Absolutely not. It certainly ignores the complexities of a social
group and naturalizes the identities through the production of this drama.
Besides, it seems that this drama
humorously and sarcastically highlighted some social issues of Hong Kong, for
example the light pollution from the advertising board and the district council
elections. It did not really address and criticize the political issues of Hong
Kong in fact, in order to avoid mentioning sensitive topics and being offensive
to the established powers. Wong Cho Lam, one of the scriptwriters, states that
he wanted audience can be relaxed for looking at Hong Kong society through the
drama. In Wong’s idea, people should have relax time as the buzzword ‘hea’ but
not put themselves in the tension of society. It reveals that the organization culture
influences the drama production so as to avoid taking risk on audience
measurement and dissatisfying the sponsors.
To conclude, Come on, Cousin does slightly touches on the social issues of Hong
Kong, but it merely concentrates on the stereotypes of social group because
there are several of considerations behind an organization. Although the themes
of Come on, Cousin are ‘hea’ and
making fun, the maladies of stereotyping can be found in many TVB dramas.
Reference
Dyer,
R. (2000). The role of stereotypes. Media studies: A reader, 245-51.
《老表,你好hea!》王祖藍 笑聲救港[Web log post]. Retrieved from http://www.ihktv.com/wang-zu-lan-xiao-sheng-jiu-gang.html
(542 words)
Student Name: Cheung Yik Shun
Student ID: 10489220/21423656
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